The audiobook contains the course lectures; the PDF is the course guide / summary.

To watch any opera lover listen to a favorite work, eyes clenched tight in concentration and passion, often betraying a tear, is to be almost envious. What must it be like, you might think, to love a piece of music so much?

And now one of music's most gifted teachers is offering you the opportunity to answer that very question, in a spellbinding series of 32 lectures that will introduce you to the transcendentally beautiful performing art that has enthralled audiences for more than 400 years.

As you meet the geniuses - including the likes of Monteverdi, Mozart, Verdi, Wagner, and Puccini - who have produced some of the landmark artistic achievements of the form, and listen to many of their most beautiful moments, you'll grasp how the addition of music can reveal truths beyond what mere spoken words can convey, and how opera's unique marriage of words and music makes the whole far greater than the sum of its parts.

Beginning with opera's origins in the early 17th century and continuing into the 20th, you'll trace the art's evolution and its ability to convey every shade of human emotion, whether sorrow or joy, drama or buffoonery. You'll understand how different types of voices enhance character. And you'll understand how the invention of the aria gave operatic composers a new power to make human emotions soar, adding to the impact of what continues to be one of the most beautiful musical forms ever devised.

Contents:

• Introduction; Words and Music (Lectures 1–2)
• A Brief History of Vocal Expression in Music (Lectures 3–4)
• The Invention of Opera and Monteverdi’s Orfeo (Lectures 5–8)
• The Growth of Opera, the Development of Italian Opera Seria, and Mozart’s Idomeneo (Lectures 9–12)
• The Rise of Opera Buffa and Mozart’s The Marriage of Figaro (lectures 13–16)
• The Bel Canto Style and Rossini’s The Barber of Seville (Lectures 17–18)
• Verdi and Otello (Lectures 19–22)
• French Opera (Lectures 23–24)
• German Opera Comes of Age (Lecture 25)
• Richard Wagner and Tristan und Isolde (Lectures 26–27)
• Late Romantic German Opera—Richard Strauss and Salome (Lecture 28)
• Russian Opera (Lectures 29–30)
• Verismo, Puccini, and Tosca (Lectures 31–32)